Its smash-hit version became the first full-length animated film to receive an Oscar nomination for best picture in 1991, and rescued the foundering Mousedom’s finances. Released in 1946 it deployed state-of-the-art special effects and Cocteau’s sublime visual sensibility to deliver an utterly immersive telling of the fairy tale.įifty years later the story even saved the Walt Disney Company, then struggling for survival after a string of flops. The most famous cinematic version is undoubtedly Jean Cocteau’s shimmeringly beautiful La Belle et la Bête. Its noble central message, that true beauty is an inner quality, and that we mustn’t be seduced by misleading outward appearances, has appealed to ugly duckling audiences for centuries. But its appeal obviously goes beyond preparing virginal French aristos for nasty surprises dans le boudoir. The story has thus been interpreted as a primer for young brides about to enter arranged marriages, with the “beastliness” standing in for the groom’s perhaps unexpected sexual demands. I wanted to create a new type of Beauty and the Beast in which the beauty is someone you can relate to, not a perfect princess Guillermo del Toro
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